"Albert Nobbs" examines gender identity in the 19th century

It's a story of quiet misery told in the barest of plots, but "Albert Nobbs" carries a charm that's impossible to shake.

Glenn Close stars as Albert, a butler in a 19th century hotel, who saves tips under her room's floorboards and has never revealed that she is a woman. As Albert's guarded back-story surfaces, its emotional weight becomes increasingly complex. Albert isn't fulfilling an emotional need, only an economic one, and is trapped in a life of terror, confusion and horrible insecurity.

Luckily, partial relief comes early in the film through hotel guest Hubert Page (Janet McTeer). Page is forced to stay in Albert's bed and by a chance mishap involving a flea, learns his secret. Mr. Page is bulking, confident and, as it turns out, a woman as well. It's an unbelievable coincidence, but made up for by the theatrical reveal of her bust to the unsuspecting and petite Albert. Sadly, Page provides Albert more confusion than confidence.

As Albert attempts to court the young and beautiful Helen Dawes (Mia Wasikowska), it becomes obvious that Albert has no understanding of companionship or basic human desires. He muses over whether to tell the uninterested Dawes of his secret before or after the wedding and plans out their living arrangements with heartbreaking naivety.

Close's joyless but powerhouse performance, a lively supporting cast and Brian Byrne's beautiful film score provide the film with an entirely unique balance. Unfortunately it isn't a satisfying balance and, despite one uplifting beach scene, the film is desperately in need of joy and expression. Nevertheless, these are fascinating character sketches that leave an indelible impression. For that, "Albert Nobbs" is worth the time.

cameronmount@dailynebraskan.com

Grade: C+